When I saw the sunlight hitting the finial of this rocking chair, I had to capture it. I just loved seeing hard, harsh light creating hard shadows and soft shadows as well as the hard light being reflected back up underneath the the curves and ledges of the finial. You can also see the hard angle of the light coming onto the porch in the background.
Wednesday, October 13, 2010
Blog invitation
Hey y'all! Everyone has been invited to join the blog so if you have not received an email from google asking you to join make sure you check your spam mailboxes because sometimes they get directed there.
Tuesday, October 12, 2010
Gregory Crewdson
I was inspired by the Lucia Holm post to re-post my first entry on the students of light blog. One of the photographers that is super inspiring to me is Gregory Crewdson. His images have a sense of drama and tension that I appreciate and while his lighting production is complex the images seem natural (and supernatural) in a way. Pay attention to the fact that he uses 4x5"or 8x10" film shot with a view camera and does very little photoshop work. I have two of his books at my studio if you are interested in looking at more of his work.
Monday, October 11, 2010
Hey y'all!

So, I am new to blogging but I'll give it a shot! I hope everyone has enjoyed their weekend and Im excited to see everyone back at school tomorrow! Anywho, the picture to the left is taken by one of my favorite photographer's. Her name is Lucia Holm and I love her work! She has kind of a sick sense of humor and most of her photos tend to have a dark side to them. She loves to take self portraits of herself and is a genius when it comes to setting up her lighting. The picture to the left is just one example of what she does. I get inspired from looking at her work and I think y'all should defintly take a look at her website! Maybe it will inspire you as well!?!? www.luciaholmphotography.com Enjoy! :)
Saturday, October 9, 2010
ambient light
Learning to harness ambient light and create an image that looks as it did through the view finder is one of the things I am really trying to work on here at the Circus. I want to utilize this source to give my photos a soft, approachable look.
I am posting two images I took this weekend. The first was taken with my phone on the way home around 7:30 pm. I love way the setting sun on a clear evening plays off the Westin hotel. It allows for very crisp reflections of light. The second image is from shoot for a restaurant. I set up the plates next to a large window around 5 pm and got some great, bright lightthat threw some deep shadows.
Friday, October 8, 2010
An Epiphany....
My word? - UNUSUAL. over and over again times ten people....Hmmm....not really sure how to take that.
In my own verbal dialogue, if I substitute this word I use words like "weird" "bizarre" "strange" etc...not exactly the "ideal" words I associate with "your photography evokes emotion and leaves me speechless" if you know what I mean. However, after seeing Tims' personal images at class, I realized EXACTLY how dead on this is...
I don't market for me, I market for what I think you want to see. Which is all wrong within itself. I tell everyone to "shoot for you" and I do shoot for me, but them I market "for them"....bad bad idea. Its realizing you haven't let go of the fear that still binds you from letting go. I never could put into terms how I liked to shoot. No words sounded appealing. I can see now calling a client, "how do you shoot?" they say...I reply, "UNUSUAL" what the hell is that?
The closest word I can use to describe for you how I love to shoot is - oxymoron - Its a suburban mom in heels and a ball gown exposing colorful tattoos on her sun-kissed skin. Its also COMPLETELY opposite of ME. Therefore I feared the people that knew me well, would freak on me if I did edgy or bold - when I am not personally.

I am all about my subjects or elements being contradictory. I am all about the environment around the actual focus. When I went to Hawaii, I would not shoot the landscape everyone was in line waiting to shoot. I wanted a different view. Does this make sense? No one in my family understood why I wasn't taking pics....I did shoot in Hawaii - just completely contrast of typical vacation photos. It was the culture I loved, the people, the weed that NO ONE wanted a pic of. So watching Tim's work and reading about Dave Cook gave me a fresh approach to embracing how I shoot and letting go of the fear.
I leave you with an image as an inspiration for burn out. It was taken by my husband at the braves game about a week ago off his iphone. It was during a rain delay and the sun looks like its on fire. A few months back I decided to document whenever the skies or sun looked unusual (there is that word again)...I don't typically take landscapes and to do this gave me a new energy to work from. I plan to post more throughout the class. My point is, "shoot for you NOW - THEN take what they hired YOU for and shoot for them." If you shoot for what you THINK everyone else wants now - you will be in an industry that you are passionate about, but left shooting something that you may be much less passionate for. Find your style FIRST and THEN polish it to work within the industry.
Thursday, September 16, 2010
Do something cool with your ipad!
Um, if you can figure out how to do this than go nuts. Looks rad though!
Making Future Magic: iPad light painting from Dentsu London on Vimeo.
Making Future Magic: iPad light painting from Dentsu London on Vimeo.
Wednesday, September 15, 2010
Wednesday, September 8, 2010
Friday, September 3, 2010
Thursday, September 2, 2010
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